Myele Manzanza drops new music

Hot on the heels of the first instalment of his much-lauded ‘Crisis & Opportunity’ record series, world-renowned drummer/composer, & producer/beatmaker, Myele Manzanza, now readies Volume 2 for release, giving further insight to his new material with second single ‘Back In The Days’.

A founding member of Electric Wire Hustle, Myele has released four solo albums, and racked up tours and collaborations with Jordan Rakei, Theo Parrish, Miguel Atwood-Ferguson, Recloose and Amp Fiddler amongst others . Myele has developed a strong live presence in his new London base; his quartet has shared stages with the likes of Hiatus Kaiyote, The Bad Plus, Alfa Mist, and drawing packed houses to top venues such as The Jazz Café and Ronnie Scott’s.

Hailing originally from New Zealand, Myele made the move to London in 2019. Having tapped into the vibrant scene of his adopted home with a top tier cast of young London based talent (including Ashley Henry and additional contributions from the legendary Mark de Clive-Lowe) the resulting record ‘Crisis & Opportunity Vol.1 – London’ gained praise from the likes of Mary Anne Hobbs, Jamie Cullum, Huey Morgan, The Guardian, Complex, Jazz FM + more.

‘Crisis & Opportunity Vol. 2 – Peaks’ now sees Myele join forces with Andre Marmot, Jay Phelps & Lewis Moody, as well fellow Kiwi musicians Aron Ottignon, Matt Dal Din, Ashton Sellars (who similarly have now found themselves living in the UK / EU) taking inspiration from the mixtape format (favoured by many cult status producers and MC’s) and delivering thirteen doses of exhilerating, Jazz infused bottled lightning.

‘Back In The Days’ begins with Manzanza’s iconic drum work, setting a witty rhythmic foundation for the majestic piano melodies to comes in seconds after. Encompassing a sense of nostalgia, the guitar motifs are expressive, alive and colourful. The instruments harmoniously grow in a reminiscent explosion of emotion and memory, later meeting with surprising elements such as soft organs and synth sounds, making the track a truly tasteful experience for listeners

Frustrated by the confines of a planned approach to writing music, Myele was set on embodying a spirit of collaboration and improvisation in the project. He explains “Often the most creative moments came when we had worked our way through the tight trees & moguls of the composition, and settled into the wide-open powder trails of the vamp at the end of the piece. This process was also something that I used to do all the time back in my home city of Wellington, New Zealand in clubs like Havana, The Matterhorn or The Rogue and Vagabond in a style affectionately known as the ‘Welli Jam’. Just get a groove going with a few basic chords and let the music go wherever it goes. As I had been bashing my head into a brick wall trying to ‘compose’ music, I realized that I could just say, “fuck it. I trust these musicians. If I give them the space, then they’ll be able to fill it with good ideas”